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Remember how I mentioned that the NOW gig means I no longer have to see every movie opening in a given week? Well, some weeks it’s more obvious than usual; since I’ve been busy with various Toronto film-festival screenings — Cinefranco, Images, Sprockets and Hot Docs all open within the space of a month here
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Remember the good old days of art-house cinema, when people lined up around the block to see the restoration of “Touch of Evil” and new films from Woody Allen, Barry Levinson and Neil Labute were highly anticipated, rather than awaited with a vague sense of dread? You know, 1998? Whoops, got distracted by the opportunity
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No, I’m not talking about the passing of Arthur C. Clarke; he was 90, he lived a fine life, wrote some good books and changed the world with the whole geosynchronous satellite thing; that’s cool. I’m just cynically appropriating one of his most recognizable titles to get you to look at my recent Sympatico/MSN movies
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I’ve just come back from the Hot Docs press conference and learned that Anthony Minghella has died. This breaks my heart a little bit. Minghella made one of the finest romances of the 1990s — and no, I don’t mean “The English Patient”, though that was an entirely decent picture. I’m talking about “Truly Madly
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About a month ago, I was planning on doing a whole massive comparison piece on the three movie adaptations of Richard Matheson’s “I Am Legend”, but then Tasha Robinson went and wrote the definitive article over at the Onion AV Club, so … well, click the link. She said virtually everything that needed to be
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Paramount signed off with “Into the Wild” and “Things We Lost in the Fire” two weeks ago, and tomorrow Universal releases its final HD DVD title with “Atonement“. While Warner is committed to releasing HD DVD editions of its high-def titles for another two months, “Atonement” is special: It’s the format’s very last exclusive release.
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Over at his fine Scanners blog at the Chicago Sun-Times — which I’ve been neglecting to add to the permalinks on this page for months now — Jim Emerson has been running a terrific series of posts considering the politics, efficacy and ramifications of Michael Haneke’s “Funny Games U.S.”. (Reading Emerson’s Sun-Times review of the
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At the NOW offices yesterday, I was asked, in all seriousness: “When are the movies going to start getting better”? That’s the problem with March. The Oscar pictures have played out, and there’s nothing to take their place but middleweight blockbuster wannabes and the headier movies the studios couldn’t figure out how to sell. But
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The trailer for “The Incredible Hulk” is out, and I couldn’t help watching it after Torontoist reported how much of it is made up of material shot here last summer, when a few blocks of Yonge Street were terraformed into a reasonable facsimile of uptown Manhattan. I wasn’t aware the Zanzibar had opened a franchise
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Either I relay my shock and horror at receiving a two-disc Blu-ray edition of “Celine Dion: Live in Las Vegas” yesterday — because you can’t really say you’ve heard Celine until you’ve had her screech at you in uncompressed 96kHz/24-bit PCM stereo — or link to the geekiest thing on the intertubes this week. Well,
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