I have interviewed both Richard Dreyfuss and Errol Morris before; Morris four or five times now, I think. They’re two of the best, really, and I’m glad to be chatting with them again in this week’s NOW.

Morris discusses his Donald Rumsfeld project The Unknown Known, which asks the musical question “How do you damn a man with his own words when those words refuse to mean anything?”, and Dreyfuss discusses working with Tatiana Maslany in the new road movie Cas & Dylan and living down his rather remarkable body of early work.

It’s all good, really.